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InViolet: Each year at our retreat, you wage war on your fellow members to claim the title of “World’s Best Stage Manager.” Time to fess up: are you actually an amazing stage manager or are you full of s%*#?
Bixby: Thank you for the opportunity to go on the record regarding this subject. For the record, I have won the BEST STAGE MANAGER AWARD at InViolet Retreats for 4 years running. I am an INCREDIBLE stage manager! Last year I started a mentoring program because I wanted to “give back” to the people that were unable to win the award due to my dominance. They are really growing as stage managers and I am proud of them. There are a lot of rumors about how I basically forced the company to start this award, there have been questions about the validity of my numerous awards, some have even called them “fake awards”. I want you to know that those are all LIES. Lies I tell you – brought on by the fake media! Thank you for giving me the opportunity to set the record straight.
InViolet: Do you have a favorite InViolet memory you can share?
Bixby: Oh. Gosh. There are too too many to pick one favorite moment. A few highlights – sneaking off to the gas station with Melanie Maras to use the wifi on my first InViolet retreat, hearing my play SOMMERFUGL read aloud by Peter, Aubyn, Bernardo and Michelle for the first time, sleeping with Mark Cirnigliaro and creating a safe space, playing that stupid weird crazy “drinking” game with Hunter, Andrew and Joe and realizing Joe might potentially be a convicted felon, surviving the benefit with Sam #BEST, the first SMS with Marguerite, giving Karina dating advice, discussing tropes in my work with Peter Graham (crystals, bi-sexuality and kewl), creating a writers group with Jen and Megan and falling in love with them, getting Sommerfugl up on its feet with Angela and feeling the exhaustion and pride of that, kicking generator ass with Erin and Jett being at retreat and singing for him, Bernardo offering to “take my place” during retreat….wow…I am realizing that InViolet has brought me so many incredible and wonderful memories (personal and artistic) over the years. Not to get too schmaltzy, but thanks for giving me a chance to take time and think about those all over again!
InViolet: What’s next for you?
Bixby: I have a reading of my brand new play, written in less than 30 days, IF ON A WINTER’S NIGHT at The Brooklyn Generator on Sunday March 26th at 4:30pm. The terrific Julie Kramer is directing and Kaaron Briscoe Minefee, Zach Fifer, Charlie O’Leary and Lori Vega will be acting in it (so lucky to have them join us!).
More info can be found HERE:
My play THE WHOLE SKY ALL DIAMONDS will have a reading at Jersey City Theater Center on April 13th.
More info can be found HERE:
In Atlanta, there is a reading of my play ABRAHAM LINCOLN WAS A FAGGOT at OutFrontTheater on March 19th. This will be the first play in their new Spectrum Reading Series!
More info can be found HERE:
I am producing InViolet’s ONE NIGHT STAND – THE POST-IT PLAYS (part of our #InViolet InSolidarity project). That is on March 20th.
More info can be found HERE:
Second Monday Social (brought to you by InViolet Theater Company) happens every month. The next one is Monday April 10th and the deadline to submit writing is Thursday March 30th. Submit writing or join us as an actor! You will have a blast!
More info can be found HERE:
I also have some other things in the works that we will start to talk about very soon and it is super exciting and really fun. How is that for a tease?
InViolet InFocus – Benjamin Manno.
Benjamin Manno has C-L-A-S-S. He also plays the harmonica, acts, writes, directs and is on the look-out for two identical cats to star in his new screenplay. Feline leads, anyone?
InViolet: You are a fairly new InViolet member. Lucky us! What’s your InViolet journey been like so far?
Benjamin: Grand! Thrown right into the mix, which is great. Not many companies will actively pull their newer members into the fold without a level of tenure. InViolet has provided programs like ONS, and SMS to give me a place to start submitting writing; something that I don’t often submit.
InViolet: How do you identify in the theater world?
Benjamin: A hopeful dreamer…Really that question is probably the scariest thing you could ask, right? How do I identify in the theatre world? How does anyone identify in the theatre world? Sometimes, it’s like throwing spaghetti at the wall and seeing what sticks in terms of success. In terms of art, I like performing in pieces that reflect a dry reality of life. Spending too much time being something you are not is exhausting, and I like living, breathing and writing about the times that veneer falls to the side. That’s when we find out, at our base, how much love we can give, how much BS we will put up with, and ultimately what we believe. That to me is fascinating.
InViolet: Have a favorite InViolet memory you can share?
Benjamin: Each night of Judgment of Fools. Every night had a different energy and reaction to the text. When things got heated that was the best, because you knew you hit on something good…

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